After Art (Point Essays on Architecture) - download pdf or read online

By David Joselit

Artwork as we all know it's dramatically altering, yet well known and significant responses lag in the back of. during this trenchant illustrated essay, David Joselit describes how artwork and structure are being reworked within the age of Google. lower than the twin pressures of electronic know-how, which permits pictures to be reformatted and disseminated without difficulty, and the exponential acceleration of cultural alternate enabled by way of globalization, artists and designers are emphasizing networks as by no means ahead of. the most fascinating modern paintings in either fields is now according to visualizing styles of dissemination after gadgets and buildings are produced, and once they input into, or even determine, varied networks. Behaving like human se's, artists and designers style, seize, and reformat current content material. artworks crystallize out of populations of pictures, and structures emerge out of the dynamics of the circulate styles they're going to house.
Examining the paintings of architectural organizations akin to OMA, Reiser + Umemoto, and international workplace, in addition to the paintings of Matthew Barney, Ai Weiwei, Sherrie Levine, and so forth, After artwork presents a compelling and unique idea of artwork and structure within the age of worldwide networks.

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Winter points out that Cuno’s faith in the Encyclopedic Art Museum as a model of enlightened multiculturalism conveniently ignores inequalities between the developed and the developing worlds. It is worth quoting one of her examples at length: I speak here of the mounting by Stella Kramrisch of the Manifestations of Shiva exhibition at the Philadelphia Museum of Art in the 1980s. The government of India, under the Ministry of Education and Culture, made every image e xplosion 21 possible resource of staff and materials available to Philadelphia to ensure that the finest works of sculpture and painting be included in the exhibition.

38 Collage, for instance, this would lead to two equally inadequate interpretations: either the patently ridiculous contention that the work is “about” the seascape that each postcard represents or the less absurd but still incorrect conclusion that it is “about” mechanical reproduction. after art Both of these misreadings, the naïve and the sophisticated, fail to recognize that the work’s power lies in its staging of a performative mode of looking through which the single image and the network are visible at once.

I am advocating that we think more democratically about image circulation—­that we begin to consider what a redistribution of image wealth might look like, and that we use the currency of art for purposes other than financial profit. image e xplosion 23 Populations How then can we describe aesthetic objects as forms crystallizing out of a population, or currency, of images? Since the 1990s, architectural discourse has established an array of computer-­enabled biological metaphors to theorize emergent form.

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After Art (Point Essays on Architecture) by David Joselit

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