American Cinema of the 1920s: Themes and Variations (Screen by PDF

In the course of the Twenties, sound revolutionized the movie and cinema persisted as probably the most major and renowned different types of mass leisure on the earth. movie studios have been remodeled into significant enterprises, hiring a number of craftsmen and technicians together with cinematographers, editors, screenwriters, and set designers. The beginning of the big name process supported the meteoric upward push and famous person prestige of actors together with Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino whereas black performers (relegated to "race films") seemed every so often in mainstream video clips. The vintage Hollywood movie type was once perfected and critical movie genres have been verified: the melodrama, western, old epic, and romantic comedy, in addition to slapstick, technological know-how fiction, and fantasy.In ten unique essays, American Cinema of the Twenties examines the movie industry's persisted progress and prosperity whereas concentrating on very important issues of the period.

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Additional info for American Cinema of the 1920s: Themes and Variations (Screen Decades: American Culture/American Cinema)

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A 1920 Keaton film entitled The Saphead (directed by Herbert Blaché for Metro) is set on Wall Street and involves a speculator who tries artificially to lower the dividend price of a mining stock for his own monetary gain, just the kind of fraud that helped topple the market some nine years later (Allen 145). Similarly, in The Kiss, released on 15 November 1929 (only seventeen days after the stock market crash), a character faces dire financial straits due to some market catastrophe. When he dies, people assume his financial loss has led him to suicide.

Literally in the spotlight, she descends slowly to the stage’s forest floor, a sequence intercut with images of the theater audience’s wild adulation. The newspaper’s 34 MICHAEL ARONSON Louise Glaum, “another vamp making the world safe for sin,” pictured on a Blue Ribbon Tea trading card. 1920 — MOVIES, MARGARINE, AND MAIN STREET 35 reviewer aptly critiques the odd performance of Adrienne’s arachnid-like movements that follow her earthly touchdown. Deeming Glaum “strangely beautiful,” the writer, nonetheless, notes that she “was never made to be a dancer, and it seems that she realizes this fact herself” (“Sex”).

In fact, the National Origins Act pushed the base period for determining national immigration quotas back to 1890, thus favoring northern Europeans (Miller 147). Contributing to this counterattack was the infamous Sacco and Vanzetti case. In 1920 a Massachusetts paymaster and guard were killed during a robbery and two Italian immigrants with alleged anarchist leanings were charged with the crime. Nicola Sacco and Bartolomeo Vanzetti were found guilty in 1921 and executed in 1927, though the case against them was considered to have been biased from the start.

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American Cinema of the 1920s: Themes and Variations (Screen Decades: American Culture/American Cinema)


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